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Deposition from the Cross, paint by Rosso Fiorentino, 1521; in the Pinacoteca e Museo Civico, Volterra, Italy.

The innovative Mannerism that occurred in Rome prior to 1527 came to be the chief formative influence ~ above the layouts of a number of younger Italian painters who were energetic during the 1530s, ’40s, and also ’50s. Amongst them were Giorgio Vasari, Daniele da Volterra, Francesco Salviati, Domenico Beccafumi, Federico Zuccari, Pellegrino Tibaldi, and most especially Bronzino, who was the pupil that Pontormo and also who ended up being the most essential Mannerist artist in Florence at this time. Meanwhile, Mannerism had started to spread exterior Italy; Rosso take it the layout to France in 1530 and also was complied with there two years later by Francesco Primaticcio, who evolved crucial French variant of Mannerism in his decorations done at the French royal court in ~ Fontainebleau. Mannerism to be transplanted and also disseminated throughout main and northern Europe about mid-century through large numbers that engravings that Italian paintings and also through the visits of north artists come Rome come study. Bartholomaeus Spranger, Hendrik Goltzius, and also Hans von Aachen became important Mannerist painters. Back the Dutch urban of Haarlem and also Amsterdam ended up being centres that the brand-new style, the many ambitious patronage was exercised at Prague by the Emperor Rudolf II; Spranger and also others who worked for Rudolf developed a Mannerism the occasionally created into the grotesque and also inexplicable.


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Hendrik Goltzius: Hercules killing Cacus
Hercules killing Cacus, woodcut by Hendrik Goltzius, 1588; in the brother Museum, London.
Courtesy that the trustees that the british Museum; photograph, J.R. Freeman & Co. Ltd.

In sculpture, the serpentine intricacy of Michelangelo’s so late sculptures, together epitomized in the sinuously spiraling form of his Victory (1532–34), overcame Mannerist aspirations in this medium. The sculptors Bartolommeo Ammannati, Benvenuto Cellini, and, most importantly, Giambologna became the major practitioners of Mannerism with their graceful and also complexly posed statues.


Hercules Fighting the Centaur Nessus, marble sculpture by Giambologna, 1595–1600; in the Loggia dei Lanzi, Florence.

Mannerism maintained a high level of worldwide popularity until the paints of Annibale Carracci and of Caravaggio about 1600 brought the style to one end and ushered in the Baroque. Mannerism was for lengthy afterward looked down upon together a decadent and also anarchic format that simply significant a degeneration the High Renaissance artistic production. But in the 20th century the style happened appreciated anew for its technical bravura, elegance, and polish. Mannerism’s spiritual intensity, its facility and intellectual aestheticism, its testing in form, and also the persistent emotional anxiety materialized in the made the style attractive and also interesting come the modern-day temperament, which witnessed affinities in between it and contemporary expressionist tendencies in art.

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The editors of Encyclopaedia julianum.net This short article was most recently revised and also updated through Alicja Zelazko.